1479 Autobots
443 Decepticons
allhailgrimlock

Grimlock ♥ Vision

I'm a well read technosexual who's bluntly honest about all things, although I try to be most honest about myself.   

Currently reading

Everbound
Brodi Ashton
Progress: 233/368pages
Mothering Sunday: A Romance
Graham Swift
Progress: 8/177pages
Trish out of Water Vol. 1
Studio Parlapa, Ruben Curto, Giuseppe Cafaro, Mirka Andolfo, Vince Hernandez
Progress: 39/120pages
Evil Empire Vol. 1
Max Bemis, Mike Getty, Andrea Mutti
Progress: 15/116pages
Steven Universe Vol. 2
Rebecca Sugar, Coleman Engle, Jeremy Sorese
Ninjasaur
Jason Horn
Curb Stomp
Ryan Ferrier, Devaki Neogi Kiran
Progress: 17/115pages
Transformers: Autocracy Trilogy
Livio Ramondelli, Chris Metzen, Flint Dille
Progress: 23/335pages
Transformers and Philosophy: More than Meets the Mind
Geoffrey Allan Plauché, Liz Stillwaggon Swan, John R. Shook
Progress: 12/384pages
Star-Lord (2016-2017) Annual #1
Djibril Morissette-Phan, Chip Zdarsky, Kris Anka

Love!

Zombies vs. Robots (2015-) Vol. 2: War! 'Bots! - Chris Ryall, Lucy Ryall, Paul Davidson, Ashley Wood, Antonio Fuso, James McDonald, Valentin Ramon, James Kochalka, Nico Peña

This is a series that I read mostly for the robots, although people tend to call them 'warbots.'   And they are just that, meant to fight off the zombie invasion.   I forgot that I was reading out of order, and that this was volume two, but the story was cohesive on it's own, although I'm sure I missed specific incidents they referred to: the editor's notes told me which issues I missed them in, after all!

 

Other than being fine as a stand alone, this was a lot of fun.   The series doesn't take itself too seriously, for one thing, although it does focus on telling a fun story with solid characters while poking fun at itself in how ridiculous this whole thing gets. 

 

The art is lush in its painterly scope, although not color wise: muted colors reflect the horror of the world that's been created, adding to the creepy sense of this whole thing, adding a sense of gravitas that was, on occasion, missing in the writing.   Not to say that 'missing in the writing' was a bad thing; I liked how flippant this could get despite the desperate situations.   Not only that, a more serious art style - like the toned down color scheme - and the outrageous elements in the writing ended up matching up perfectly, one keeping the other in check. 

 

It felt neither too serious, nor too silly, but ended up a balance of both that simply appeals to me.   I'm looking forward to catching up on volume one, since I ended up getting both on sale along with the Undercity volume and simply ended up reading out of order...