I'm a well read grad student who's bluntly honest about all things, although I try to be most honest about myself.
And it's something she doesn't take kindly to. The children, whisked away by a mother they haven't seen in years, have questions of their own: does she visit the graves of their father and siblings, what's she doing with killers and monsters, and does she really think they're safer with her around?
They're hard questions and there are no real answers given. The point is to make The Wall sweat - and that she does.
It's intense, so much so that Harley Quinn offers her sympathy to Waller. And it was absolutely chilling to read.
I think there's a new artist, as there's no backstory. Or at the very least, they're getting rid of the backstories. I'm kinda sad: I missed them, and they made me feel more of a connection to the characters as I learned more about their pasts.
Not that missing them hurts this comic: the stories feel more coherent and less rushed with more pages. I guess I'd pay a buck more to have the backstories attached, though!